Thursday, May 29, 2008

First Post

Hey everyone. I didn't have a lot of new stuff ready when Jenna emailed me but I do have this snippet that I wrote a while back. I'd love to expand on it, so let me know if you have any ideas. One thing to note that probably isn't obvious from this section is that the narrator, Billy, refers to himself in the third-person. So, it's actually a first-person story.


And if Billy could just walk through a supermarket and buy his groceries every Sunday, his bag of oatmeal, his three dozen eggs, and his six fucking pounds of lean beef, well, would that be too much to ask?

Billy had just been minding Billy’s own business, there in the fated cheese aisle. Billy was looking for the large containers of low-fat cottage cheese, all that muscle-building and testosterone-pumping protein inside just begging to be spooned out and digested, converted into fuel that Billy would put to better use, you better bet your ass, than the sludge-pudge belly-bursters with their carts full of barbecue chips and cherry cola and Hostess Ho-Ho’s, which these Ho-Hos who walked the aisles could suddenly snatch off the shelf with a fraction of their former remorse because “chocolate was an antioxidant now.” Ha! As if that could possibly slow the fury of the righteous heart attacks boiling up their fat tracks en route to their overworked and exhausted arteries, God bless the disadvantaged workers of the world, big and small.

(Billy, as you’ve noticed, doesn’t see anything wrong with anger if it is an honest and righteous manifestation of the truth.)

The problem was, Billy had forgotten whether the cottage cheese in this particular grocery store was put with the rest of the cheese or with the milk, which it often was, even though it was called and therefore was a cheese; refrigeration requirements notwithstanding, the perpetrators of such inexcusable organization ought to be blasted in the chest with a rifle. There are precious few things can be taken for granted in this world, and while it apparently asks too much of the Lord’s tendency toward intervention to separate the earth’s land and people according to what by rights ought to be theirs, society would be settings its standards far too low if it sat by and let the same situation develop in miniature in its own local grocery stores and supermarkets.

This, then—the finding of the cottage cheese—was Billy’s mission, and Billy’s bane, when he felt a finger tapping on his shoulder, surely what the rhinoceros must feel of the pecking from the birds on his back. Billy turned around only because he assumed, naturally, that the offender was an employee with the answer to his cottage-cheese question. Instead, he saw a twenty-something child of predominantly Irish descent in a backwards baseball hat. The child pointed at Billy when he turned around, and said, “Oh my god, you are the Indian from DeathKillers 2!”

Billy sized the child up. Billy is always sizing people up, because people are always smaller than he is and who doesn’t like to feel big? Thus reassured, Billy looked down at the child’s basket and stuck his hand inside to shuffle the contents. He really should have known. There was no cottage cheese. Billy turned away to resume his search.

“Uh, okay…can you…Mike! Hey, Mike! Come here! Excuse me.” The child again. “Hey, can I get your autograph?”

Billy tried to ignore him but the tapping continued. “Here, just use my grocery list.” So Billy grabbed the list and scanned it. But his suspicions proved acute: no cottage cheese.

Billy had been right all along.

“Autographs on the website,” Billy said, and let the grocery list float to the ground. “Twenty-five dollars. Where is the cottage cheese?”

“What? Twenty-five dollars? Oh come on, who’s going to pay for that? Come on man, I’m a fan. I own DeathKillers 2. How many people can say that? You’re like a C movie star. Matt! Hey, dude, look—it’s the Indian guy from DeathKillers 2! Oh come on, man, just sign my grocery—”

Billy felt a surge through his veins and he seized the child’s shirt and pulled him in close. The child’s lips quivered in puerile fashion.

“My people,” Billy said, baring his teeth, “are called Native American.” Then Billy took a large breath in order to thunder: “Where is the cottage cheese?”

Billy heard a splat-like sound and thought that maybe the child shat himself, but it was just the grocery basket, which had fallen to the ground.

“I’m sorry please let me go,” the child said, wriggling now and trying to worm his way free. But Billy had too tight a grip for worming. “I don’t know where the cottage cheese is, you psychopath! You fucking crazy Cherokee!”

Though well aware of his cinematic shortcomings, Billy was nonetheless ideally suited for certain parts, thanks to his uncanny ability to bypass those higher intellectual functions that are a hindrance in times of acute stress and to assume a more primal role. His most famous: Clawing Bear the DeathKiller. And while Clawing Bear the DeathKiller is just a character in a movie, a ruse, a charade, the primordial nature on display in this near-cult classic is real, as innate to Billy as a blink.

And there are moments, like this one in the grocery store, in which Billy is unable to contain the DeathKiller inside.

Of course to others, it is never such an artistic transformation taking place but something much less creative; they will blame—not at the time of course, but later, when they look back and recall being, let’s say, thrown into the eggs section of the breakfast aisle and then repeatedly and furiously kicked in the ribs while lying fetal in a giant pool of shattered raw yolks—they will blame without fail Billy’s temper, Billy’s volatile hormones, Billy’s uncontrollable rage. What the doctors called his “problem.”

But at this moment Billy had another problem, less important but more immediate, and that was the tazers. How the police had arrived so quickly Billy would never know. Billy suspected them from time to time of following him in anticipation of a misstep, waiting to pounce and send him back behind the thick bars. Their tazers ran lightning all over and through him until his legs gave way, and all the personas inside Billy’s head, the angry with the thoughtful, came together in dream as the titan met the floor.

Wednesday, May 28, 2008

objectively disordered

Hey all. I've been collaborating with a friend on a webcomic, and currently have a draft of the first 15 little vignettes. Instead of posting it all here, I have published it here. I would love any and all feedback you have for it. If it helps you with visualizing, the dashes:

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Indicate a break between episodes. So all the text in between those would be one comic page.

Tuesday, May 27, 2008

Independence

Maybe it's a state of mind,
that you're either in,
or without. Like the baby sparrow
stranded on the street-side,
wings too weak to right itself up.
Mama-bird keeps sighing inside
that panoply of pine. Must have been others
when the nest turned over. They're long gone now,
so levity's proven. There's another siren.
Maybe you saw it as a shiver,
nestling to borders, instead of
how it's steadying itself again
before chancing on horizon.

Imagineers

“We are imagineers,” he intoned, upending the chicken carcass onto its knobby pimpled back. “You and me both. We imagine each other within this space,” he swept his arms to either side, a knife in his left hand. “And we hope that through our intellectual prayers, not that we want religion to factor into it, even tangentially so, we hope that we will eventually become in each others eyes what we have yet to be ourselves. Are you sure you want to do that at the counter?”

She had been listening across the island, half to his latest dinner prep rant, half to the televised concert playing near the kitchen’s dividing wall. The studio on screen, a terrarium filled with dusty light, housed the medieval music quartet like lizards in a fourth grade classroom, housed in an artificial habitat. She imagined herself there, and wondered if the stale air was really just the churning self-consciousness of the uncommon instruments, recycled like captured acoustics. She turned her eyes to the knife in his hand, now pointing at the sewing in her lap. Grinning as if just waking from an afternoon nap, she closed and opened her eyes in an exaggeratedly dreamy state.

“Maybe we should switch places. Your knife to my hem, my needle to your bird,” she said, deepening her voice to sound threatening, but playfully harmless, like a previews voice-over, or the hero of a spaghetti western. Their play had these buffers, these screens, the effort of translating to hide behind. They remained distant and knowing within certain limits. “I’ll hem where I damn well please.”

He raised an eyebrow, then tensed his shoulder muscles into a knot at the base of his neck, wadding them up into the newly freed space in his mouth, frozen in a mock “O” of surprise. Then he let the muscles go, sending ripples down each arm and a pink drop of chicken juice to the tiles below. The oven beeped, surprising him.

“Now look what you’ve gone and done” she said, shaking her head in disappointment. “You’ve gone and held up the chicken! It’s not going to quarter itself, not if those months in the stockyards taught him anything.”

He nodded. “You’re right. Now’s the time for it to really start fighting back.” He grabbed the bird by the tip of both wing, and held it up standing. “Chickens of the world unite! Poultry is death!”

She smirked and started to formulate a witty retort, something having to do with making a red sauce, but she wasn’t able to fit the words together and gave it up. This hiccup in their banter froze her in a burp pantomime.

He dropped the bird and went at it with his purposeful cuts. The tip of the knife stretched the skin, breaking it in all the right places, opening up the space between the thigh and breast. Each joint split from its desired part with a sickening, muted crack that would have easily ruined her appetite if it had lasted longer than a split second, but she still felt it in her own thighs and breasts, where her wing would attach to her side. A red vein, or bruise or blotch, she was unsure, glared out like a no vacancy sign in a darkened hotel window. As a child, she once watched her mother dismember a chicken, accidentally puncturing a hidden tumor in the bird’s breast. A bloody spray fanned across the white kitchen wall, and despite several coats of paint, the stain remained, peeping out from behind a coat track. She would parade her friends by the spot on their way to Dr. Peppers and afternoon cartoons.

The chicken lay separated, now a tray of tiny selves. He dipped his hands in a tub of softened butter that had magically appeared at his side. “Now,” he said in a heavy Southern accent, “we add just a touch of butter.” His fingers flayed around the undersides of each piece with such precision, spreading butter as if out from the most miniscule crevasses in his finger tips.

“Was this sensual?” she thought. “Is this the moment when I slide an arm around my lover’s waist, wrist deep in edible lubricant, and kiss his neck passionately while the Righteous Brothers began to play softly in the background?” This was the result of endless sleepover screenings of that early nineties romance. Every fantasy turned into slippery love making on a pottery wheel.

He looked up at her as if reading her thoughts. “You really want to make out with me right now, don’t you,” he deadpanned. She could see the edges of his come-on under the sarcasm, which tended to be the case with men, or at least the men she’d been with. So far, it was unclear whether these ironic dressings added or took away from the impact of her love making. It was obvious to her that she and the men liked it, but who more, and who out of necessity? A lute took a solo in a spotlight downstage.

“Did you know that food photographers glaze their hams with motor oil,” she asked. He stared at his hands, contemplating licking them clean or washing them in the sink full of dirty dishes, and nodded absentmindedly.

Saturday, May 10, 2008

A poem

Just in time for Mother's Day! I hope it's not too emo. Help breaking into stanzas would be good.

Jackie O. once said "let your children go and they will take you to the opera when you are an old woman." Her words speak to mothers who struggle to loosen the chrysalis walls of their embrace and not the ones for whom their children are vague, well-intentioned concepts, like conversational Russian in Iowa. The unconditional soft places to land. Not the sharp cornered furniture carefully maneuvered around that leave scars when one is not so careful, scars that are all you grow to notice in the mirror, 'til eventually you notice nothing, undifferentiated muddy grays a relief from recognizable colors.

Sunday, May 4, 2008

A short story and a prose poem (not original, just interesting reads)

Hello! It was great to see everyone who made it today.

Here are links to the short story and the prose poem I mentioned, which Kat's story reminded me of a bit. The short story (the first link) has very little to no immediate action, the whole story is told almost entirely through flashbacks. I think this is a neat device, particularly if you prefer writing in a descriptive and/or stream-of-consciousness style and find plots to be a chore.

http://www.fantasticmetropolis.com/i/sorrow/full/

http://community.livejournal.com/greatpoets/2370194.html

Friday, May 2, 2008

short story (Rebecca H.)

Hastily thrown-together outline of a story... Let me know what you think it needs more (or less) of, I guess. Thanks.


Mary wanted her Dad all to herself. She didn't know what to do with herself at home when he wasn't there, feeling unwelcome in every room, even the empty ones. Her Mom was almost always home and almost always silent. She'd spend big stretches of time buried in crossword puzzles or staring out the window. At one such time Mary asked her Mom what she was thinking. "Wondering if I should sell you to the gypsies," she said. "They came by when you were at school, gave me a good offer." She wasn't smiling.

Mary ran to her room and cried all afternoon. She repeated her Mom's story to her Dad, who laughed and said "yes, you be a good little girl and listen to your mother" and told her stories of gypsy children traveling the country in rickety vans to dance in the streets for tourist money. He made her threatened fate sound both scary and fun and he punctuated the stories with tickles 'til she laughed so hard she could barely talk as she begged him to stop. That night when she tried to sleep, though, she couldn't stop thinking about how her parents' stories more or less matched, couldn't stop feeling that was somehow her fault.

Her older sister Jenny never got this treatment. Her Mom talked to her and even occasionally smiled while doing so. Teachers at school treated Mary with this same double standard, joking with the other kids while shooing her away like some pesky dog. She wondered what was wrong with her. She studied the other kids, how they moved, how they talked, what they wore. Laura Tenenbaum had lovely blonde ringlets that gleamed in the sun and shook when she laughed. Missy Edwards always had a rapt audience when she showed pictures of her prize-winning border collie. Tina Smith won a statewide competition for her flute playing and got to leave Algebra early to go to private lessons.

Mary kept careful notes on who stood out and why. Slowly she endeavored to obtain these qualities herself. She stole a chunk of Laura's hair, the collar from Missy's dog, snuck into Tina's flute case and plucked off a handful of keys. These items, along with similar talismans from other classmates, she placed on an old sewing mannequin in her room that her Mom no longer wanted, claiming there'd be no one to sew school dance dresses for any more. Mary gazed lovingly at her growing collection every night, felt like she was piecing together the perfect self. Before bed she'd place a blanket over it so to her Mom the whole thing just looked emblematic of her messy room, of a neglected interest in sewing.

Her secret ritual made her feel more powerful. She started talking back to her Mom and to teachers. The other kids treated her with a "hands off" respect that they hadn't before. She started hanging out with boys who threw cherry bombs in the school toilets. She felt fearless and tough and alive. That is, until the new girl, Andrea Brent, ripped a chunk from her hair one day.