Wednesday, September 3, 2008

Miscellaneous

On Friday morning, Maggie phoned with the seed of a plan.

“I need to bury my pills. I’m thinking someplace rural.”

Jess stuck a finger between the waistband of her pants and rubbed the indentations already forming. The air had turned the corner and held a bite. Passengers shielded their faces with their hands, reluctant to unpack their winter clothes. That morning, her train delayed at the station, she’d seen a homeless man kick the receivers off the telephones, then run away. She felt empathy not for the man, but for the plastic molded earpieces, their sudden stop after confusedly twisting through the air. Her finger worried a part of the wool fabric where the fibers were thinning, becoming a ruinous hole.

Jess slumped in her chair, lowering her head just below the line of bean bag stuffed animals positioned around the perimeter of her neighbor’s work station. Their black button eyes reflected the Jess’ swirling screen saver, a silent hurricane. A drawn out groan came over the line. Jess cupped the receiver in her hand. “Which pills—that pack from the university trial?”

Maggie always had some issue with her birth control. One gave her vertigo, another made her feet swell up a full size. An entire weekend in Madison, which included a stolen drum from an Ethiopian restaurant and $500 in parking tickets, was later ascribed to a hormone regulator implant. Jess hadn’t been aware of any problems recently, but evidence wasn’t always a requirement in her best friend’s emotional trials.

“The Estrocese?” Maggie yawned. “No, remember, I dropped those out the drunk trolley on St. Pat’s? These are garden variety. ‘Clears your skin and won’t jack your libido! I know, because I’m a woman doctor.’ Those. But they’re giving me night terrors like whoa. Got to get rid.”

“Got to get rid”—a trap door trigger for any unwanted element in Maggie’s life. Woe to the man or small furry creature that heard those words. These expulsions meant a ritual needed to be planned, a mild prayer said for lost plans. When the wheels of Maggie’s life train jumped the track, everyone needed to stop and listen to the grate and whistle of steel changing course. She was a part-time nanny and masseuse, professions with normal connotations for Jess, at least until they became the foundations for Maggie’s retro-adolescence.

Jess composed spreadsheets for insurance policy mediators and recently threw away a live goldfish. She did not say a prayer when she realized her mistake.

Looking up, she immediately locked eyes with her manager, a dead-eyed MBA with the weight of a luxury sedan lease resting on his narrow shoulders. Simultaneously, he typed furiously on his standing efficiency desk and bored a hole in the wall two inches above Jess’ head. She’d forgotten to get a tardy slip from the transportation desk. Her face warming uncontrollably, she looked down and spied a post-it note sticking out from under her ergonomic wrist pad, unnoticed when she first came in. “Where are you?” she read aloud.

Maggie stopped listing her music choices for the ride. “Alright, alright, I get it. Go. I need to get Kaydon from his breakfast enrichment play date anyway. Do you need any clothes?”

Jess folded the note into an origami bird, but messed up the beak. “No, I’ll just sleep in my underwear.”

“Yeah you will. Or maybe less. Whacca Whacca Whacca. Porno.”

***
Jess was backing away from a memory like a hiker retreating from a bear. Or at least that was the visual image that always broke through her daydreaming, when she was grasping at something not real, but clinging to her mind. Nights she would try to go to sleep, only to wake up a couple hours later in mid-run, taking solace in half-finished crosswords and DVDs. She lost weekends to unnecessary errands and spent time planning meals. She’d begun to forget small appointments, remembering days after, absorbed in the ambient sound of the radio running in the shower.

That previous summer, sitting at a stranger’s kitchen table in sweat-soaked sports bra and gym shorts, Jess considered a drained bottle of wine. Plans for a leisurely evening had transformed into an endurance test. The sun hadn’t yet descended behind the rooftops she could see through the sliding glass doors leading out to an irony balcony. Jess shifted her weight from one foot to the other, questioning her ability to stand.

Her body performed the necessary duties for going out: bound her damper hair in an elastic, applied mascara, stripped and tossed her dirty underwear in her duffel, not looking for another pair. A fleeting reminder that her reason for being there—the sensitive rottweiler, frightened of fireworks, a Puerto Rican holiday turning the neighborhood into a battle zone of pride—was tossed in the tile bowl by the front door, along with her car keys.

Later, recalling the sequence of events, nothing felt more important than anything else, the true course of events subverted by wine and individually wrapped: her friend's fluorescent dreadlocks, a rainbow sea anemone reaching up to the ceiling; an arbitrary debate about Polish versus Mexican beer, consumed with lime and orange; driving west through identical neighborhoods filled with houses lined up like rolls on a baking sheet; treacly vomit clinging to the strap of her dress; 20 dollars in her hand, hanging noncommittally over the plastic divider of the cab; a gauntlet of darkly silent men leading up to the house; the women who knew and were known, laughing, tapping their cigarettes over a communal plastic cup, their practiced gazes; the disembodied heads of Pacino and De Niro, their brooding young faces like propaganda murals; a plastic cup filled with liquid the color of a traffic cone; a woman, all teeth and eyeshadow, lecturing to her about exegesis; Jess’ sudden paranoia that she’d been pawned off, abandoned for strangers; sitting in the basement, black leather couches and mirrored walls, the music the kind you’d hear in the background when a mobster gets gunned down in a seedy club, too embarrassing to dance; her friend and the boy talking, laughing, looked over the shoulders of the DJ spinning aggressive synth beats; the low ceiling forcing everyone forward, as if they shouldered burdens too heavy to bear. Jess was in three places at once. In the basement, locking eyes with a man across the room, on an opposite leather couch, his head a buoy bobbing on a white cap of silver chest hair and white t-shirt, his lips curling like cooked prawns; curled up on the couch, a wet nose underfoot grounding her as fireworks punched the night; and ahead, waiting to see if things would happen as they did before, unable to stop them. Sitting at the edge of whatever was coming, she felt the need to force herself up and away.

Now, the rest she was not unhappy to dispute with herself, was a deconstruction of these painfully wrapped and stackable images: a mockery of the former's compactibility.
When standing on the shoulder-to-shoulder bus ride or flipping through a magazine at the doctor's office, interesting developments arose with back straightening clarity, sending her in search of a nearby friend with whom she could share. These a-ha moments dissolved like snowflakes on glass, and she was not embarrassed to show a fraction of devastation at having lost them once again in the murky mess of her knee-jerk selective memory.

Indisputable: a hand print bruise brandishing her forearm; unseen places suddenly making themselves known through her sharp inhalations of pained breath; a darkened figure of authority leaning forward, not asking if, but telling her that she was ok; lighting the self-conscious cigarette outside of the hospital, judging her location from the cross streets. Running through these images, frustrated, unnerved, the cracks between slowly filling with her worst assumptions. All of it sounded like the Tori Spelling tv movies, cliche beyond cliche, which in itself might have been another experience worth noting, but she avoided doing so.

As the summer mellowed and the shades lowered on the evening sunlight, Jess became accustomed to missing frames in the reel, the moments that seemed better left forgotten.

***
Five minutes past five, Maggie pulled up in her hand-me-down Saab hatch back, a loaner, pumping out the smell of fennel and matted woven fabrics from its owner. Accordion and guitar spilled out of the open passenger side window. Her drunken Medusa curls coiled around her bare shoulders. Crayon portraits drawn by her charge covered most of the surfaces of her coach house. “I’m kind of squiggly,” she’d say with a practiced shrug, sweeping the hamster’s nest of paper off her kitchen table.

Maggie dumped two brown bags in Jess’ lap, which contained effortful snacks-- pistachios, seedy crackers and spreads. “You’re on assembly.”

Iowa had been an afterthought. First they chose a highway by the number alone, eventually pulling over to check the traffic report, just in case. As usual, they focused on the spontaneity, allowed the planning when it was necessary and inconspicuous.

Sedans and vans pooled behind tollway turnstiles, jostling under floating food courts and keychain depot. Their favorite radio show came on around dusk, and both girls realized they’d never heard it live before, a deadening side effect of so much downloadable information. They laughed together, actively listening to the other for a cue, for a reaction they might have missed on their own. Jess would place a slice of salami on a cracker, spread some anonymous olive dip, perch a shelled pistachio on top, then guide the structure as delicate as blown glass into Maggie’s open hand.

In the six years since they’d first met, flopping inside makeshift raincoats, both missing home despite their best efforts during summer program at Oxford, both were aimlessly enthusiastic about constructing life experiences, approaching was day as a scavanger list containing miniscule adventures that they silently hoped would one day add up to something profound. Sitting in Maggie's bird's nest single atop the far corner of the campus' courtyard, mini fridge squatting under the window like a garden gnome, Jess, a lonely child in transition, first experienced the comfort of a friend, encapsulated in the difference between Maggie's gleaming shower and her own sepia-stained bathtub, which had bathing in to a foreign and anxious undertaking. They lounged hidden under a single willow tree or hoisted on a ledge above a stairwell, writing simple observations that made them laugh and laugh, always sharing something secret, real or imagined.

***
Maggie’s head dropped two times before Jess guided the steering wheel to the Rip Van Winkle motel, a sleeping giant cut out splayed over the entrance in repose. They both took pictures pretending to sleep standing up in front of it.

A pick-up with a camper in the bed was parked kitty-corner from the reception area, the only other vehicle in Van Winkle’s courtyard. Remnants of a barbeque sat in the gravel under its back tires, and an alarmingly fresh-looking smoke stain crept up the two-story building.

“Let’s hope those are unrelated.” Jess imagined them standing over the railing with wire hanger skewers roasting marshmallows in the giant fire pit. The room key was attached to wooden paddle like those brandished by nuns. Maggie grabbed the ice bucket and slapped Jess lazily on her way to the vending machines. Jess lay on the acrylic floral comforter, making sure not to touch it with her face,thought about the construction of their latest experience, how easily an unplanned element, something admittedly real, could wipe it all away.

The bouncing of flimsy plastic cups, crinkled saran wrap, running water into an ice-filled glass. Maggie held the water within Jess’ opened hand. “Drink me.” She dug around in her bag, pulled out a pill dispenser and swallowed one.

“Are those the pills we’re going to bury tomorrow?” Jess asked, still facing the ceiling.

Maggie crunched one between her molars. “Eh. I’m almost done with the pack.”

They looked out either side of the sliding front window for signs of life. “Do you really want to walk along this road at 11 at night?” one asked the other with her eyes. Maggie stood with her hand on the doorknob for a few moments, but failed to say anything definitive. Voices floated up from the camper, baritones interrupted by the inhale and exhale of smoke, capped off by exaggerated grunts of satisfaction, like they were actors in a badly staged play.

She kicked off her leather sandals, flopped on the other twin bed and turned on the TV. Everything played under a layer of dust. The local news drained of color, an old western ran like a historic newsreel.

Maggie was dead sleeper, performing simple unconscious regeneration when needed for any length of time, but Jess tossed and turned. She focused on her breathing, batting back the cataloguing and analysis of daily life that tried to sneak in. Her sheets took on the rigid sterility of the hospital bed. She rarely dreamed, though between thinking she’d get up to drink some water and two hours later, standing at the ledge of the courtyard, her mind slipped into another room in the motel, where Maggie and a man she did not know drank from tiny bottles and laughed at a clip show on the TV. The man’s hand was on Maggie’s thigh, and she looked up at his face, waiting for the answer to some unknown question.

Jess woke, the rhythm of her heart in her ears, moving the sheet over her chest. The room was empty, a rubber wedge placed between the door and its frame, an infomercial for vitamins playing silently on the TV. Maggie’s shoes were still by her bed, her backpack hemorraging t-shirts and socks. Makeup lay strewn on the bureau top, like stained glasses after a cocktail party. Panic constricted her throat, not unpleasantly. A short pop, like a towel being snapped, could be heard through the crack in the door.

Gazing over the lip, only the two pairs flat masculine of feet of two men sitting in lawn chairs, Maggie’s toe rings sparkling between them. Her voice floated up like smoke, the baritones murmuring in response. A pellet flew arced in the air, and landed with a quick snap before them in camper's lumpy shadow. Jess thought she could see something moving. A dog looking the color and temperament of buttermilk expectantly poked his head out from under the camper where it lay, a few feet from the growing pile of expired fire caps, a seemed to look up at Jess' figure silouetted against the watery light of the tv.

All three tilted their heads up, twisting their necks like overgrown owls, sloppy smiles plastered across their faces, Maggie’s half-concealed by her hair. The stale smell of marijuana mixed with charcoal.

The men turned back to look at the buttermilk dog, who was watching and shivering with anticipation. One pointed forward in faint protest, in the universal sign of waiting it out. Maggie stayed frozen, raising a tiny bottle to her lips as she held Jess’ gaze, her eyes saying, “Can you believe these guys?” Her anthropologist’s amusement getting the best of her, Jess wondering at her neutral interest. Maggie waited for what she would say next, like they had planned an ambush that needed to be carried out. But Jess didn’t know the plan. She turned back to the room, making sure the wedge stayed in place when she closed the door behind her on the crash breaking of glass mixed with her oldest friend’s laughter. Jess fell asleep to stock footage of pills rolling down endless ramps, shifting together into tight lines.

Dawn bled underneath the blackout curtain. Maggie came inside with two plastic wrapped honey buns in her hand, smelling of barbeque and sweat. “Wouldn’t put it past them,” she laughed, finishing a previous conversation, with a knowledge of inevitability, frosting covering her upper lip.

Groggily, Jess redirected her head to the foot of the bed, reaching into her bag for a disposable camera. She moved the film to the next frame, fixed Maggie in the view finder, and pressed the button without charging the flash.

“That’s not going to come out,” Maggie said, shaking her head emphatically. Without seeing, Jess could tell that her eyes were still dilated from more than the dark. She absently faced the ceiling, rolling the film forward more, taking a picture of the dimpled ceiling spackle.

“Doesn’t matter." The advancing film chirped a chorus of agreement.

Maggie sat on the edge of her bed, with her elbows resting on her knees like they were stilts supporting her back, staring at the wheels of the television stand. She blinked drowsily, erratically, a lazy Morse code. Someone had drawn on her arms in ballpoint pen, games of hangman and tic tac toe. She crumpled like used newspaper on the bed with a groan, turning her back towards Jess and the door.

Persistent lamps stay lit above the truck stop despite the perfect sun that was beginning its ascent through the sky. Remnants from the night before dotted the dirt, waiting to be ground up under tire and foot and accepted back in the earth. The pick-up and camper in the parking lot were gone, now just two tracks leading through the gravel until they ended where the road began.

**
The clear cobalt sky cut down in the distance, cleaving a horizon among distant houses and cows like razor wire. From the gravel shoulder of the elevated road, valleys spilled out, up, and down in perfect ice cream scoops of land.

“I’m going back to nature! I am going to run naked through these fields!” Maggie whipped off her shirt like it was on fire, exposing a generic nude bra with tags cut out. She ran, arms and legs pinwheeling behind her, stumbling down the hill until she rolled, flattening dandelions and tufts of long grass in her wake. Splayed out before a stack of hay bales twisted as perfectly as cinnamon rolls, she breathed exaggeratedly, in through her nose and gasping out of her mouth.

Jess followed, coming to a stop with a snort. Shielding her eyes with her hand, she saw a farmhouse in the distance, close enough to see them with scope from the second floor window. “You realize that we’re probably on somebody’s property. A farmer with a shotgun won’t take your Mother Earth word as bond.”

Maggie looked out into the distance, sighed. “You misunderstand the source of my entitlement.”

A jet slowly made its way over their heads, tethered to its own contrail, like a memory refusing the release its creator. “Get up,” Maggie said, though she was the one who was down. She walked over to the hay bales and planted her feet shoulder-width apart before them. Silhouetted, a rebellious pear in only sandals and corduroys, the outline of the pill dispenser embossed on the seat of her pants, she contemplated the best means of attack. Jess felt exhausted, the prospect of climbing and forced reverence weighed on her chest. She wanted to scream for Maggie to just get on with it, to do whatever she needed to before starting her next disaster, though when it happened, Jess would agree that it was the start of something new and amazing.

“You going to put them in the hay? I think the cows eat that.”

Maggie cocked her head to the side, absorbing that prospect. “Cows don’t get pregnant, they don’t make milk. No more veal. Good thing!” That seemed to get her going, fingers wrapping round the industrial twine that contained the chaos of the bale. She scrambled up the side and did not look to Jess to see if she would follow. Once in the middle of the pile, the pills were fished out of her pocket, held high in the air, and then pressed deep within the scratchy swirls, Maggie hesitating as if her skin were admonishing her. She raised her arms in a circle in front of her chest, like a frozen ballerina.

“Oh, Estrocese. You brought unto me bloating, constipation, a depleted sex drive, and most importantly, night terrors. Now that I am free from you, I hope to never again imagine myself in the ravaged streets of Baghdad, neck deep in the shark-infested waters, or leading the human rebel army in a war against the supreme robotic race. Yes, you kept me from getting pregnant, but I usually had David pull out, so I don’t think that counts. May you join your Nuvaring and IUD brothers and sisters in the Planned Parenthood in the sky.” She looked down at Jess as if she’d just completed a task per instruction, and flashed a big smile. “Ok?”






Tuesday, September 2, 2008

Hue and Saturation


The sheets stretch an early-
morning canvas of sharp angles
and long strokes, my fair
skin thickened with dust
and sweat, the whispered
pigmentations of sex.

Daylight bleeds the colored
edges of our bodies
into each other, uncoated
swatches in a old book.

The Progesterone Years


In Chicago I have become
impatient with blood, lost
touch with the rise
and flow, the fickle hormone
eruptions that drain us.

I have bled on men
before, but this withdrawal
is a different kind.

In Pittsburgh my blank inside
spaces emptied nightly
on our bed. After
it was over, I soaked the sheets
until the threads broke
down and all the dye ran out.

Here I have found new ways
to harden myself—wheels
on roads, cycles weaving
fibers through my body,
a kind of freedom that leaves
black ribbons on white walls.

My steel frame is heavy
at night. An accident left bruises
on my bones that formed
knots under my skin. Kneading
does not loosen them.

Sometimes after fucking
my cold fingers
return to these places.

Monday, June 9, 2008

June Exercise(s)

Style "Practice Writing Good, Clean Prose."

The exercise is just to write a short story (probably a short-short) using words of only one syllable.

***

Character "The Hospital Room."

The room has one large window. It is 7:30pm, July 3rd, a cool, breezy day, with the vivid colors of clear summer everywhere outside--trees and grass with late sun on them, blue mountains in the distance. Inside the room are these objects:

A metal-framed hospital bed
A nightstand with water glass and plastic pitcher, bowl of fruit, and small clock radio
A TV on an apparatus, supported in the air over the bed
A small trash can with a plastic bag in it
A hardback chair
A box of Kleenex
A pastel of cows standing in a grassy field, with sun and mountains beyond

1. Describe this room from the point of view of a young man who has come to visit his wife, with whom he is very much in love, after the successful and relatively painless delivery of a new baby they both have wanted. She is in the bed, with the baby, and everything is happy, if slightly scary, since they are young and this is a new experience together. Deliver what he feels through what you say about how he sees the room.

2. Describe the same room, at the same time of evening, same conditions, same light and warmth everywhere, except that now a deeply loved man or woman is dying in the bed, and you are looking through the eyes of that person's offspring. This dying is the natural end sort of dying--the person is quite elderly but loved. Deliver what the offspring feels through what you say about how he/she sees the room.

Friday, May 30, 2008

Hello, everyone!  Here's my piece for critique.  It's still untitled, unfortunately.

Some days I feel like

Jeremiah’s little sister,

 

like God’s come to visit

and they’ve locked me outside

 

like I’ve been catching water snakes all day

while they’ve been healing lepers.

 

Like I’ve got kool-aid and powdered sugar

all over my hand-me-down cut-offs

and as God goes to pull a quarter from my ear

I stomp on his foot through his open-toed sandal,

Screaming, “I hate you.  You are not invited to my birthday party. “ 

Thursday, May 29, 2008

Picture This















Picture This


The photographs I took this morning—yes, with my clothes off—are still warm from the Eckerd’s photo lab on Denton Avenue. But I’m not some porn star whore. I couldn’t be one if I wanted to.
All I need are some stamps from the post office, which closes in twenty minutes. I should have walked—this stupid bus stops every twenty feet, letting off one person after another. It’s miserable on here. Somebody’s baby is crying. Exhaust filters in through the opened windows. At least I got the last free seat—window seat, just behind the side door exit in the middle of the bus—but it was on the wrong side. A tall kid in a Braves cap, maybe sixteen, looms to my left, leaning against the handrail. His sweaty orange fingers alternate between the pole and a bag of Cheetos. Jesus. His head phones blare Eminem. I fix my eyes to the window, which has a round greasy spot from somebody’s head leaning against the glass. My right hand steadies the crisp yellow envelope in my lap, addressed to Jacob Kirkpatrick of Ithaca, New York. I take shallow breaths, not wanting to take in this petroleum filth or Cheeto-stink or any of this ick. Maybe I’m wise to stay in most of the time.
Old fashioned disposable cameras and one-hour processing at Eckerd’s is perfect for me. Not exactly going to borrow my mother’s digital, you know? I’ve gotta get these photos out today while I’ve still got my nerve up. Even though Eckerd’s is corporate-owned, it didn’t seem to have any silly-ass Bible-belt rules about what they print. The carpet was stained, the ceiling oddly low, and the photo-lab chump (named Heath) amused the heck out of me, though no doubt my pictures provided him significant entertainment too. I sat in the plastic chair next to the candy machine and waited sixty-seven minutes for my pictures to be developed. Heath didn’t look at me once. I bought one palmful of Mike and Ikes, another of Skittles, and ate them one by one. Here you are ma’am, photo-man said when the pictures were ready, steering his eyes from me, looking at the Nikons under the glass counter. Nine-fifty, please. Heath tapped his fingers and blushed. I pulled a ten from my wallet and high-tailed it into the restroom to make sure the pics came out okay.
If I can get through that, I can get through anything. I figure, if nothing else, Heath has a decent story to tell his wife, if not his kids, tonight.
Want to know what Heathie will tell his wife? Not just that some girl apparently shot an entire roll of herself more or less naked, lying on the wooden trunk in her bedroom and in various other places around her house (backporch, in front of the hallway mirror).
Anyhow I bet Heath won’t be two minutes in the door before he’s telling his wife about the distorted waxy skin that covers my tits and arms, the skin-grafted pearly pocks. Why would she do that? Heathie’s woman will ask, perplexed but distracted, stirring Rice-A-Roni or something, suddenly wondering if Heath ever develops nude photographs of hotties he neglects to mention. I’ve got it: an unpleasant image of Heath jacking himself in the break room will linger in her mind, while Heath will go on about how my ear (if you could call it that) is a seared waxy knob on the left side of my head. I got a nice shot of all this while straddling a lawn chair on the back porch. Just for Jacob, so he won’t forget.
The bus halts for the sixtieth time, a car behind us bleeps its horn, and a big lady waddles to the middle of the bus to get off. She sees me and then she looks past me. Only thing I despise more than getting stared at is being looked past. Most people’s glance-time-to-averted-eye-time ratio goes like this: every second of looking requires at least twenty subsequent seconds of looking away for good measure. Most people aren’t completely rude, you know. Poor bastards don’t know what to do when they see me coming. Actually, this particular lady didn’t even look for a full second. Her boots hit each step, one, two, three, and out she goes. It’s a miracle she doesn’t rock the bus.
From the front of the bus comes our newest passenger, her cane feeling the floor, leading her straight to the only empty seat, next to yours truly. Why now? I bury my chin to my shoulder, palm to face. Do you think it’s better to just let the entire world see your mangled face, or try to hide, and only let, oh, half the population notice? Maybe your life revolves around questions like whether to go to school or get married or go Geico or what to eat for dinner, but this factor guides my every movement. My mother says I should just stand proud, love myself, stop hiding. Finish the GED I started four summers ago, get in touch with Jesus. She says I can do a distance ed program if I want. She says I don’t have to go back to the grocery store gig if I don’t want to (trust me, I don’t). She says that if I look for goodness I will find it. Isn’t that just about exactly what you’d expect my mother to say?
This lady must be the oldest person I’ve ever seen. Seriously. She’s got this big straw hat with a fat, fake lily sitting in it, and she’s wearing a green skirt with knitted beige stockings. White, thick-soled Rockports too, which she crosses at the heels. Probably en route to church or Bingo, right? Or maybe she’s got a boyfriend in a home. The hat is a little weird. But I can’t exactly talk shit about questionable hats.
Oh, excuse me, Granny whispers, breathing heavy. Granny opens her purse, pulls out a single pink tissue, and blows her nose very softly. She reeks of baby powder. She turns to me and says―pausing between each dim word―Smile, sweetheart. You’re too young to be frowning that hard. She chuckles, her teeth clicking, and I remain still, eyes to the window.
Do I have to respond to that?
I can feel it. I should have walked.
A faulty gauge, too little water in the boiler, too much heat, as it was explained to me weeks after my fifth surgery, caused the steam engine tractor at the Buncombe county fair to explode, launching shrapnel and pressurized steam at my body. Not Jacob’s body. Mine. On my seventeenth birthday. The last I remember at the fair grounds: craning my neck and searching the crowd for Jacob, who’d left me alone in the way long Wicked Raptor roller coaster line to visit the restroom. I wanted Jacob to come back so he could see me do the cow face (you know, mouth open, tongue hanging out, eyes rolling stupid—which, by the way, always cracked him up) at these little kids who were riding that big old tractor with shiny green wheels. I had those little kids totally cracking up, too, at least until the hissing sound started from the tractor engine, a little bit like my grandmother’s cabbage steamer made, except fifty times louder. About ten seconds later the tractor exploded. The boom, I’m told, was heard as far as the next county.
But they say I’m lucky. That’s surely what the parents of those children who were actually riding that big old steam engine tractor would say. I try not to forget that. But, basically, Jacob took a leak in a makeshift outhouse while I got my skin melted off. He didn’t even have to watch me.
The bus turns a sharp corner onto Main. Only another mile or so till the post office stop. I must, must, must send these pictures today. Otherwise I’ll start worrying and have one of those should I or shouldn’t I? crises.
Well, I tell you, must be a hundred degrees, Granny says. I can feel it. She’s sneaking her look, pretending to look past me out the window, as if that Amoco station were the most interesting thing ever. I never take this kind of bait.
Once my mother caught Jacob in my bed. And, God, was she pissed. The look of boyish alarm on his face. The whole fiasco was beautiful. I had a life back then. The deliciously simple crap we all used to worry about. If only I’d let Jacob go all the way. If only, if only, if only. The pleasure of being Jacob’s first, of ever getting laid, got ripped from me and I’ll bet Granny over here gets more action than I could summon these days. I sure hope he likes fucking Eliza Grace Sellers, of Washington, DC, his apparent bride to be. An intense-looking city-slicker working on her master’s in comparative politics, who did Peace Corp in Chile after she finished up at Brown. All this I learned from the Sunday Asheville Citizen Times while slurping my corn puffs. Just shoot me, okay?
Do you think I should address to these pictures to Miss Eliza Grace Sellers too, or just to Jacob? Or Mr. and Mrs. Jacob Kirkpatrick? Ha. He has no business forgetting me. He’s done well, remarkably well, in “remembering me” department for the past seven years. But he’s gotten distracted. SeƱor Kirkpatrick 1) didn’t call me last month on the anniversary of my accident, which should be extra easy to remember, since it’s also my birthday, and 2) had the nerve to run that engagement announcement, without warning, knowing that I always read the paper (what else is a girl who’s been confined to a bed for the better part of seven years going to do on a Sunday morning but read about the exciting lives of others?). He didn’t even call. No card. No wistful I’ve been thinking about you. No respect. Thankless pisshead forgot me, obviously needs a little reminder of what didn’t happen to him. It might even enrich his life. Make him appreciate what he’s got. Couldn’t we all use that? Even I know I could have it worse.
It isn’t that I wish it happened to him. But straight-up cheer for his flawless skin and meaningful, med school life and impending honeymoon just isn’t something I can stomach. It just isn’t fair. Had Jacob gotten hit too, at least we would have had each other. At least we might have gone down in Waynesville history together. The couple that burns together stays together. So much for I’ll love you always and We’re soul mates and We were made for each other. If anybody ever tries to feed you that horseshit, run like hell. Trust me, if you think they’ll stay by your side when your number is up to get scorched and scarred and shitty, you’re probably wrong.
It would be a lie to tell you that he dropped me flat on my ass, flaunted about with some new chick the next week, couldn’t remember my name. Jacob’s better than that, which why I’m still stewing two thousand seven hundred days after the accident, the beginning of our end. Well, my end, anyhow. Did I mention that we got voted Best Couple by the yearbook superlative staff in eleventh grade? We got our picture taken in front of an oak tree outside the student center, Jacob’s arm around me. I smiled for that. So did he.
Actually, my face made several smiling appearances in that particular yearbook, almost as though somebody knew I wouldn’t be back for senior year. Pretty freaking pathetic that I haven’t got anything better to do than relish my high school yearbooks, wouldn’t you say? Volleyball, Spanish club, ecology group. There’s a cute picture of Jacob and me, with some other friends, serving macaroni and hot dogs at the downtown shelter. We think we’re working hard, we think we’re important, we think somebody might give a fat damn that we were there. But I’m sure I’m the only one who remembers, or cares, or even needs this memory.
Do you think she knows about me? I can’t decide about that. Jacob’s family has some nerve putting that announcement in the Waynesville paper. His mother can rot. I know she probably told Jacob it was good for him to move on from me. And, God, who could say she was wrong?
Jacob stuck it out with me for a good while—most of senior year anyway—but long afternoons changing my dressings and chatting with my mother about my bed-ridden progress apparently didn’t do it for him. Talk of finding a college together, of backpacking through Spain together, of teaching our hypothetical children to know right from wrong―all that talk died down pretty promptly. A bunch of talk, undone, erased, like it never happened. A sort of slow, subtle release, as though I might not notice if he just slipped from me and went off to college and a new life without me, so long as he didn’t let the door slam on his way out.
Sure is a hot one, ain’t it? Granny tries me again. From the corner of my eye I can see the brim of her straw hat bobbing. I watch the window. Ryan Street has changed in the past couple years. Prissy Polly’s Barbeque has morphed into a crisp-looking Jiffy Lube, and a new library is coming up on the block next to the thrift store, in place of the former Skate-O-Rama, the wildly romantic site of my first middle school smooch, circa 1991.
The bus grinds to a stop again, and a neon-clad biker flies by. It’s 4:45. Two more stops to the post. The doors whoosh open and Granny tries to pull herself up with her duck-handled cane. She’s struggling, swaying back and forth. What am I supposed to do, give her a little push from behind? Her big straw hat is lopsided and she doesn’t know it. God help me when I get old.
Granny carefully places one Rockport before the other and scoots herself toward the exit. One hand on the metal bus railing, the other gripping the blue duck bill so hard her fingers have paled. Whew. You all must think I’m a hundred years old.
Cheeto-boy removes his headphones and cuts the volume. He stops his gyrating and says, Not at all, ma’am. Take your time.
Is he kidding?
Granny reaches the stairs, right in front of me. This ordeal has taken like ten minutes and she’s gone maybe three feet. The damned post office is going to close.
The bus driver cranes his neck to see what’s taking so long. When he sees that someone born in, oh, 1890 is the problem, he smiles and wipes his brow.
Granny grimaces and maneuvers down step number one. Sorry for the hold up, folks, she calls over her shoulder.
Between steps one and two, the craziest shit suddenly happens: I see the straw hat fling forward, fly right out of the bus, straight to the grassy bank. She’s sprawled out on the ground, her Rockports soles face-up, her hat half-off. It’s utterly insane. The fake lily gets caught in a breeze and flutters about until it lands in the back vent of her green blazer. I don’t know why, but I think it’s the funniest thing I’ve ever seen, that lily landing there. The way it quivered mid-air, like it was deciding whether it wanted to return to her hat or find a new place to rest. Totally absurd. Reminded me of that white thing floating at the end of American Beauty, except funny.
Everybody’s trying to help. It’s like a contest to see who can help the most. Seriously, does the whole bus need to get up? I feel bad, but this commotion is ridiculous. I stare at my lap, the yellow envelope, trying to think of something else. Anything. Should I get up too? Somehow I’m exempt from all this. I’m the only one not sticking my neck out saying Oh my God, I hope she’s okay. They can handle this. I mean, she hit the grass and pretty much got right up, right?
Sure, they all look worried, but if she’s really hurt, are any of them going to nurse her back to health? Will they visit her in the hospital and endure the awkwardness that comes with visiting injured strangers? Will their prayers do her any good? Will they do her grocery shopping for her? Is anyone going to make sure she isn’t lonely? No. Over dinner they’ll talk about the crazy thing they saw on the bus but forget her tomorrow.
Cheeto-boy has his arm around her shoulder, talking to her, brushing grass clippings off the front of her skirt. Ma’am, are you sure you’re okay? Let me help. He helps the old woman back into the bus, and people find their seats again. He says something about maybe taking her to the emergency room, though he seriously doubts anything is broken. Really, I’m all right. They’re so close that I can smell them: Cheetos and baby powder mixed together. I’ll be just fine. Thank you for your help, son.
I keep my eyes down, staring the black ink scrawled across the envelope in my lap. Jacob Kirkpatrick, 147 Westmont Avenue, Ithaca, NY. I run my right index finger across the letters, feeling how I scratched the ball-point into, and nearly through, the thick yellow paper. Man, was I pissed when I wrote his name. I feel the rectangular shape of the pictures inside, slightly wider than the palm of my hand. My hands look smooth against the envelope, seeming far away and oddly delicate, somehow leaner than I’d known.

First Post

Hey everyone. I didn't have a lot of new stuff ready when Jenna emailed me but I do have this snippet that I wrote a while back. I'd love to expand on it, so let me know if you have any ideas. One thing to note that probably isn't obvious from this section is that the narrator, Billy, refers to himself in the third-person. So, it's actually a first-person story.


And if Billy could just walk through a supermarket and buy his groceries every Sunday, his bag of oatmeal, his three dozen eggs, and his six fucking pounds of lean beef, well, would that be too much to ask?

Billy had just been minding Billy’s own business, there in the fated cheese aisle. Billy was looking for the large containers of low-fat cottage cheese, all that muscle-building and testosterone-pumping protein inside just begging to be spooned out and digested, converted into fuel that Billy would put to better use, you better bet your ass, than the sludge-pudge belly-bursters with their carts full of barbecue chips and cherry cola and Hostess Ho-Ho’s, which these Ho-Hos who walked the aisles could suddenly snatch off the shelf with a fraction of their former remorse because “chocolate was an antioxidant now.” Ha! As if that could possibly slow the fury of the righteous heart attacks boiling up their fat tracks en route to their overworked and exhausted arteries, God bless the disadvantaged workers of the world, big and small.

(Billy, as you’ve noticed, doesn’t see anything wrong with anger if it is an honest and righteous manifestation of the truth.)

The problem was, Billy had forgotten whether the cottage cheese in this particular grocery store was put with the rest of the cheese or with the milk, which it often was, even though it was called and therefore was a cheese; refrigeration requirements notwithstanding, the perpetrators of such inexcusable organization ought to be blasted in the chest with a rifle. There are precious few things can be taken for granted in this world, and while it apparently asks too much of the Lord’s tendency toward intervention to separate the earth’s land and people according to what by rights ought to be theirs, society would be settings its standards far too low if it sat by and let the same situation develop in miniature in its own local grocery stores and supermarkets.

This, then—the finding of the cottage cheese—was Billy’s mission, and Billy’s bane, when he felt a finger tapping on his shoulder, surely what the rhinoceros must feel of the pecking from the birds on his back. Billy turned around only because he assumed, naturally, that the offender was an employee with the answer to his cottage-cheese question. Instead, he saw a twenty-something child of predominantly Irish descent in a backwards baseball hat. The child pointed at Billy when he turned around, and said, “Oh my god, you are the Indian from DeathKillers 2!”

Billy sized the child up. Billy is always sizing people up, because people are always smaller than he is and who doesn’t like to feel big? Thus reassured, Billy looked down at the child’s basket and stuck his hand inside to shuffle the contents. He really should have known. There was no cottage cheese. Billy turned away to resume his search.

“Uh, okay…can you…Mike! Hey, Mike! Come here! Excuse me.” The child again. “Hey, can I get your autograph?”

Billy tried to ignore him but the tapping continued. “Here, just use my grocery list.” So Billy grabbed the list and scanned it. But his suspicions proved acute: no cottage cheese.

Billy had been right all along.

“Autographs on the website,” Billy said, and let the grocery list float to the ground. “Twenty-five dollars. Where is the cottage cheese?”

“What? Twenty-five dollars? Oh come on, who’s going to pay for that? Come on man, I’m a fan. I own DeathKillers 2. How many people can say that? You’re like a C movie star. Matt! Hey, dude, look—it’s the Indian guy from DeathKillers 2! Oh come on, man, just sign my grocery—”

Billy felt a surge through his veins and he seized the child’s shirt and pulled him in close. The child’s lips quivered in puerile fashion.

“My people,” Billy said, baring his teeth, “are called Native American.” Then Billy took a large breath in order to thunder: “Where is the cottage cheese?”

Billy heard a splat-like sound and thought that maybe the child shat himself, but it was just the grocery basket, which had fallen to the ground.

“I’m sorry please let me go,” the child said, wriggling now and trying to worm his way free. But Billy had too tight a grip for worming. “I don’t know where the cottage cheese is, you psychopath! You fucking crazy Cherokee!”

Though well aware of his cinematic shortcomings, Billy was nonetheless ideally suited for certain parts, thanks to his uncanny ability to bypass those higher intellectual functions that are a hindrance in times of acute stress and to assume a more primal role. His most famous: Clawing Bear the DeathKiller. And while Clawing Bear the DeathKiller is just a character in a movie, a ruse, a charade, the primordial nature on display in this near-cult classic is real, as innate to Billy as a blink.

And there are moments, like this one in the grocery store, in which Billy is unable to contain the DeathKiller inside.

Of course to others, it is never such an artistic transformation taking place but something much less creative; they will blame—not at the time of course, but later, when they look back and recall being, let’s say, thrown into the eggs section of the breakfast aisle and then repeatedly and furiously kicked in the ribs while lying fetal in a giant pool of shattered raw yolks—they will blame without fail Billy’s temper, Billy’s volatile hormones, Billy’s uncontrollable rage. What the doctors called his “problem.”

But at this moment Billy had another problem, less important but more immediate, and that was the tazers. How the police had arrived so quickly Billy would never know. Billy suspected them from time to time of following him in anticipation of a misstep, waiting to pounce and send him back behind the thick bars. Their tazers ran lightning all over and through him until his legs gave way, and all the personas inside Billy’s head, the angry with the thoughtful, came together in dream as the titan met the floor.